Cinematography has gone beyond the boundaries of screens.

The walls of a building, the skin, a forest, all kinds of surfaces, everything can be shielded.

Hypernature is a digital arte povera project born during the COVID-19 pandemic.

Created using minimal digital tools, the visual elements were later animated with AI, blending organic imperfection with algorithmic interpretation.

Hypernature reflects on nature’s quiet resistance, reminding us that life continues, transforms, and regenerates far beyond our presence.

We produce an extremely large amount of data in all areas of our lives:administration, war, entertainment.

The tools needed to navigate between them are highly complex, inter-connected.

Butterfly hypothesizes that from this primordial digital broth new forms of life may emerge beyond our control,both beautiful and terrible.

Ghost Track (Zacinto, 2022) by Marilina Ciaco is a poetic and visual exploration of voice as trace, echo, and rewound tape.

In the video created with Felice Vino, sound generates light and form, turning words into a perceptual space.

The work was presented at Into the Word, curated by Andrea Inglese and Gianluca Codeghini.

Triptych.01 gathers a series of 9:16 videos originally shared on social platforms during the Covid period.

Created with minimal digital tools, these brief visual fragments convey fear, anxiety, and the search for a space—both interior and exterior—within the confines of those days.

triptych.

Dal deserto rosso (Stampa 2009, 2021) by Maria Borio is a reflection on discomfort and openness, where writing becomes a threshold between inner turmoil and attentive presence.

In Millennio di primavera — the video inspired by the same emotional tension — Felice Vino translates this movement into abstract visual transitions, where light, rhythm, and dissolving forms evoke a fragile, emerging renewal.