Digital Arte Povera project that brings together a series of compositions born from the assembly of anatomical fragments, technical structures and organic forms.

The creatures seem to emerge from clinical rather than symbolic research, exploring an essential visual territory, made up of symmetries, grafts and residual traces.

It is an investigation into the transformation of the body and perceptual ambiguity, where what remains becomes form, and what is missing becomes meaning.

This artificial intelligence project is mainly inspired by the work of the Russian film author Andrei Tarkovsky.

The galleries feature surreal creatures, hybridizations between humans and non-human creatures.

The creatures explore a desert planet, perhaps a long-abandoned planet Earth, where life seems absent and the ghosts of what could be our future already become memories.

In the Zoema series, a series of hybrid creatures (almost a thousand) are presented in the form of a zoological repertoire recalling the illustrations of the popular prints of the past centuries.

Extensive works that in their development across the landscapes of augmented reality (animation, video, sculpture) according to a process of media and material hybridization.

During its development cycle, the human embryo traces the evolutionary history: cell, fish, reptile, mammal. In the series of digital elaborations, reinterpreting that journey in the light of scientific discoveries and cultural reflections.

The embryos of possible creatures demonstrate the consequences of an opaque evolution, the result of biological-alchemical overlapping and synthesis of the extended realms of living made up of animated and non-animated.

Ex-Stasi is a series of long-exposure digital photographs created in 2018 in Bologna.

The project explores artificial sensitivity through images distorted by time, transformed into ghostly and ambiguous forms. Digital reprocessing heightens saturation and contrast to evoke the machine’s possible visions.

Pareidolic shapes, hallucinations, and algorithmic suggestions emerge. The work reflects on what an artificial intelligence might perceive beyond human sight, between revelation and unease.

In this series of digital prints mathematical syntax is adopted to create poetic-scientific visual maps.

Elementary geometric figures are subjected to tensive generative forces.

The revealing protean archetypes call to mind life forms, objects and landscapes.

In this series of digital prints, the possibility of adopting mathematical syntax in the composition of poetic-scientific visual maps is explored.

Working with generative graphics software, elementary geometric figures are subjected to tensive forces to the point of revealing protean archetypes that call to mind - as memory and imaginative drive - life forms, objects and landscapes.

Environments and phenomena, digital and digitised, with which we interact and which act on us in an increasingly profound way.

MyBO is my first photographic series. It originates from a specific moment in my life, anchored to the space I inhabited.

The inspiration comes from early forms of artificial vision: I imagined what an artificial intelligence might observe within the same environment I was living in.

The result is a sequence of urban fragments—visual anchors and reference points that, at that time, formed my personal map of the city.